#BEST NETFLIX MOVIES ALL TIME HOW TO#
#BEST NETFLIX MOVIES ALL TIME MOVIE#

#BEST NETFLIX MOVIES ALL TIME MOVIE#

A gangster flick where the gangsters chat about cheeseburgers and enter twist contests at kitschy diners? Where the narrative is like a smashed jigsaw puzzle put back together out of order? With the guy from Look Who’s Talking starring as a slick-talking, suit-wearing hitman? That’s a movie that can make money, win Oscars and spin off so many imitators it’s practically a genre unto itself? Turns out, it could it just took an over-caffeinated ex-video store clerk with the right amount of irrational confidence to make it happen. Like Nirvana and The Sopranos in their respective mediums, Quentin Tarantino’s second feature arrived in the waning years of the 20th century and felt, at once, like a culmination of cinema’s first hundred or so years and an explosion of everything we thought we knew about film. If you give up any hope of literal understanding and give yourself over to it, you’ll experience a sense of unease few movies before, and hardly since, have managed to achieve. - Matthew Singer But Persona doesn’t exist simply as a challenge to film scholars. Critics have been dissecting its meaning ever since. But whatever linear narrative exists is consistently upended by seemingly random images – a dead lamb, a crucifixion, a flash of a sudden erect penis – and meta-cinematic references, including a shot of cinematographer Sven Nykvist filming the movie itself. In terms of plot, it involves two women, one an actress suffering from an unknown affliction (Liv Ullmann), the other her live-in nurse (Bibi Andersson), who retreat to an isolated seaside cabin in order to treat the latter’s disorder and who possibly, maybe start fusing into the same person. Persona is a nightmare in the dreamiest and most confounding sense.

#BEST NETFLIX MOVIES ALL TIME HOW TO#

Matthew Singerīack when David Lynch was still saving up money to buy his first camera, Ingmar Bergman was figuring out how to transmit the vagaries of the subconscious mind to the screen. And as it turns out, working for the mafia isn’t much different than any other job - you spend 30 years busting your hump to climb the ladder, only to end up face down on a bloody carpet in some tacky house in the burbs.

Where Coppola went inside the walls of organised crime’s one percent, Scorsese’s gangsters are more blue collar. And for a movie about violent career criminals, it’s also strangely relatable. Certainly, the former is more easily rewatchable, owing to its breakneck pacing – its two and a half hours (and three decades) just whiz by. Based on the true life of mobster Henry Hill, Goodfellas was born in the shadow of The Godfather, but as the years go on, the question of which is more influential becomes mostly a matter of generation. ‘As far back as I can remember, I always wanted to be a gangster.’ Ray Liotta’s opening line is the crime movie equivalent of ‘Once upon a time…’, and what follows is Martin Scorsese’s version of a fairy tale – the story of a starry-eyed Brooklyn kid who realises his boyhood dream and still comes out a schnook in the end. 🏆 The most deserving Oscar winners of all-time

Written by Abbey Bender, Dave Calhoun, Phil de Semlyen, Bilge Ebiri, Ian Freer, Stephen Garrett, Tomris Laffly, Joshua Rothkopf, Anna Smith and Matthew Singer

Because with all the ground covered here – over 100 years, multiple countries, and just about every genre imaginable – you’re bound to find something you disagree with. And if you’ve already seen everything, take it as a way to challenge your own canon. If you’re a fledgling cinephile looking to solidify your film-buff bona fides, think of this as a handy reference guide. Because the only thing better than watching movies is arguing over them.ĭon’t get us wrong, though: we feel pretty strongly about movies over here, and we’ll defend our picks until our throats are raw and our typing fingers worn down to nubs. Instead, we’re merely hoping to shake up (and in some spots confirm) the conventional wisdom, introduce different perspectives and, maybe most importantly, spark passionate debate. But we’re not so foolish as to think of ourselves like Moses on the mountain, proclaiming these films as the best of all-time, with no room for debate. Sure, it’s a surefire way to get readers clicking. There is no such thing as an objective, definitive canon, no matter the medium, and no matter what a media outlet may tell you when it releases a list of, oh, say, the greatest movies ever made – present company included. When it comes to greatness in art, nothing is set in stone.

Best netflix movies all time